The Museum of Modern Art’s collection is hitting the road — again. In June 2018, around 200 works, including many of the museum’s best-known objects, will travel to the National Gallery of Victoria in Melbourne
The show is a wide-ranging display of the museum’s greatest hits, from a 1957 Fender electric guitar to a series of portraits of Marilyn Monroe by Andy Warhol. Works that rarely venture outside MoMA’s galleries will be shown in Australia for the first time, including Paul Cézanne’s Still Life with Apples (1895–98), Vincent van Gogh’s Portrait of Joseph Roulin (1889), Umberto Boccioni’s Unique Forms of Continuity in Space (1913), and Salvador Dalí’s The Persistence of Memory (1931). (Although the show was announced in 2016, the lineup has not been made public until now.)
“They were interested in the masterworks of the institution,” MoMA’s director Glenn Lowry told the press at an event earlier this month. But curators have also included works by artists who will be less familiar to Australian audiences, such as Wifredo Lam, Lygia Clark, and Theo van Doesburg.
Last fall, the Louis Vuitton Foundation in Paris presented a similarly ambitious exhibition drawn from MoMA’s star-studded holdings. The show—which examined what it means to be modern and how MoMA managed to assemble a cutting-edge collection in real time—was considered a coup for the deep-pocketed institution.
Though there is some overlap—postcard-worthy works by Duchamp, Picasso, and Kahlo are included in both shows—the many differences between the two point to audiences’ distinct inclinations and the staggering depth of MoMA’s holdings. (Few other museums could do two best-of exhibitions and duplicate fewer than half the works.) The Paris show skewed more heavily toward photography and archival material, while the Australian exhibition has more furniture design and a larger presence by American heavyweights like Robert Rauschenberg…
Photo: © Salvador Dalí, Fundació Gala-Salvador Dalí / Licensed by Viscopy, 2017